Created together in Ferrari's Parisian studio (once shared with Luc) between 20, Stürmische Ruhe is a single half-hour piece that folds rain and storm recordings into an intricately woven fabric of haunted electronics, unexpected edits and disorienting processing. in the mid-1980, including collaborations with Merzbow, Organum, and Nurse With Wound, the eerie psychedelia of Mirror (with Andrew Chalk), In Camera (with Timo van Lujik), and Plastic Palace People (with Jim O'Rourke), and the precise cinema pour l'oreille constructions of his solo works. A legendary figure in underground music, Heemann has quietly produced a unique body of work since his beginnings with the absurdist cutups of H.N.A.S. What comes through is a sound that speaks of Lerosa's love for the studio, for the tangible substance of an audio frequency - analog and digital, raw and processed, pure and saturated - and the intangible, indeed bewitching mystery of how these frequencies can transport you to other places.Īfter her stunning collaboration with Jim O'Rourke - Le Piano Englouti (BT 055LP, 2020) - Brunhild Ferrari returns to Black Truffle with Stürmische Ruhe, her first duo with Christoph Heemann. This imbues each track with a spontaneous shifting quality that defines the entire album. He uses looping techniques to build up the density of certain instruments while mixing the layers on-the-fly, using something as unassuming as an iPad. Each track starts from a dynamic studio jam in which Lerosa plays drum machines and synthesizers live and then overdubs them with further modulated layers. This achievement is the result of a dedicated daily studio practice.
Hence how, on Catena, the slow and sensual sway of a cavernous bit of dub can sit side-by-side with hands-up trance-like ecstasy, and all still sound like Lerosa. Rather it is driven by Lerosa's ongoing pursuit of the fundamental meaning of dance music: to immerse ourselves in sound to the point where our only desire is to move and feel in the moment. It sees the Dublin-based producer once again draw deeply on his diverse influences - dub, industrial, electro, trance, funk, IDM - and transform them into a sound signature that has always been uniquely his own. Lerosa's fourth full-length, Catena, is also his second for Berlin-via-LA label Acid Test. Originally Newcombe was heavily influenced by The Rolling Stones' psychedelic phase (the band name is a reference to Stones guitarist Brian Jones and Peoples Temple founder Jim Jones), but his work in the 2000s expanded into aesthetic dimensions approximating the UK shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music. garage scene, and many LA and SF musicians got their start playing with Newcombe, including Peter Hayes of Black Rebel Motorcycle Club. The band was essential in the development of the modern U.S. Beginning in 1995, The Brian Jonestown Massacre released numerous albums, first on BOMP!, the label that gave them their start, and later on TVT Records and Tee Pee Records. The Brian Jonestown Massacre is a psychedelic rock band originally from San Francisco, California, led by guitarist and singer Anton Newcombe. Following Tepid Peppermint Wonderland Volume 1 (AUK 026LP, 2004), Volume 2 continues to mine the period of 1995 through 2004 and includes key tracks from all of The Brian Jonestown Massacre's albums as well as live recordings and many otherwise unreleased tracks. Tepid Peppermint Wonderland Volume 2 includes the second half of the double CD Tepid Peppermint Wonderland: A Retrospective (AUK 013CD, 2004), remastered for vinyl. A work of supremely understated beauty that will appeal to anyone who finds solace in Harmonia, GAS, Joanna Brouk, Roberto Musci, and Zoviet France. It's one of their uniquely longform explorations of mood and atmosphere as an air of romance drifts deftly into mystery and despair. Enteha is one of the duo's more melancholic pieces and can be seen as a human response to seasonal transition.
A figment of two imaginations, Elodie appeared in 2011 almost fully formed with each record patiently revealing glimpses into a world concerned with time dilation, the phantasmagoric and spirits of the everyday.
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More than two decades of ambitious solo and collaborative work would solidify both Chalk and van Luijk as masterful craftsmen exploring the tension between composition and free improvisation: their individual lists of collaborators boasts Christoph Heemann, Giancarlo Toniutti, David Jackman, and Colin Potter, to name but a fe. Chalk and van Luijk embody a free-spirited approach to music making whose improvisational process can be traced to a distinct period of Europe's post-industrial landscape. A Colourful Storm presents Enteha, the latest piece by Elodie, the duo of Andrew Chalk and Timo van Luijk.
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